Pogasca (Hungarian Cheese Scones)

It's become a bit of a tradition that every year my friend Simon hosts a Eurovision party, which has become something of a reunion for our university friends now we're all scattered to different places. There is also a buffet at said party where everyone brings food from a particular country competing, and this year I decided to attempt to recreate the cheese scone bites we had when we went wine tasting in Budapest last year (more on that here). They're known as pogasca - the Hungarian word for 'biscuit' - and tasted amazing, so here's hoping I managed to replicate them well enough...

I slightly mixed together two recipes for this one as some of them didn't necessarily translate that well, but have included a few tweaks so you can adapt it for your own tastes. It mainly depends on what kind of cheese you like, how much rise you want and how many scones you want to make. They are a little time-consuming - mainly due to kneading and resting your dough - but they're really easy to make and taste pretty good too, so it's definitely worth giving these a go if you need a party snack.

This will make about 40 small scones.

Ingredients
  • 600g flour (I used plain but you could make it with any flour you have available)
  • 250g butter, diced, room temperature
  • 100-200ml milk (you'll need more or less depending what flour you use)
  • 2 sachets of dried yeast (you can skip this and just use baking powder but won't get so much rise)
  • 1 tbsp baking powder
  • 3 beaten eggs
  • 200-250g medium hard cheese (like Cheddar or Emmenthal), grated
  • 1 tablespoon of salt
  • 1 teaspoon granulated sugar (you can leave this out)

Method

Heat your milk up to a lukewarm temperature. Pour it into a jug, add the sugar and yeast and set aside for 15-20 minutes so the yeast can ferment.


Mix the flour and salt, then crumble in the butter for a breadcrumb consistency. Add two of the eggs, baking powder, milk mixture and half the cheese.


Knead the mixture together for around 10-15 minutes until it comes away from the side of the bowl and has a springy elasticated texture (if you press your thumb into the dough it should spring back up). I also do something called the windowpane test, where you take a little bit of dough, hold it up to a window and pull it apart; if you can see light through the dough before it breaks, then it's done. Pro tip: Knead with one hand as this means you can hold onto the bowl. It also helps if the phone rings or you're suddenly called away as you'll have one non-doughy hand! 

Shape the dough into a ball and sprinkle a little flour on top. Cover and leave it in a warm place (such as next to a radiator or in an airing cupboard; I put mine in the grill section of our oven - turned off, obviously!) for around 20-30 minutes until it has doubled in size.


While the dough is resting, preheat your oven to 200C/400F/Gas Mark 6.
Roll the dough out to around 2mm thick, then fold the bottom third into the centre, the top third over that, then half in from one side and half from the other (see the photos below to show you how). Cover and leave to rest for around 10 minutes.





Roll the dough out again and score with a criss-cross pattern. Cut out the scones using a small cookie cutter then brush with the remaining beaten egg. Place the scones on a baking tray lined with baking paper and sprinkle with the remaining cheese. 


Bake for around 25 minutes on the middle shelf of the oven or until golden. Whilst your scones are baking, refold any remaining mixture and rest in the same way as before.
Leave to cool and enjoy!


Let me know if you try these - I'd love to see your version :) Apparently they are really good with bacon or pancetta in them too, which I'm going to attempt for next year's Eurovision...

What have you been baking lately?

Album Review: Brad Paisley - Love and War (Visual Album)

There's becoming a bit of a tradition for country musicians to 'do a Beyoncé'. First Eric Church dropped his Mr. Misunderstood album unannounced on the night of the 2015 CMA Awards - upstaged only by Chris Stapleton and Justin Timberlake's duet - and now Brad Paisley has come out with the first country visual album on his tenth LP, Love and War. Brad previewed some tracks from the new album at C2C earlier this year and I was interested to see how they'd marry up with the videos. This is a long post, so grab yourself a cuppa and settle in...

Image source
The album begins with a Tron-like opening sequence before going into the first song, 'Heaven South', which is jam-packed with typical Southern imagery as Brad and his band drive their truck through small town USA. Right from the off the visuals echo the song lyrics perfectly and you get the sense that it's a very literal project. The song's lyrics reminded me of 'Country Nation', one of my favourite Brad Paisley songs, and I liked the mix of traditional and modern references and the carefree feel. It feels timeless yet contemporary at the same time and is one of the standouts from the album.

Continuing with the retro theme, the nostalgic 'Last Time For Everything' mixes home video footage of a young Paisley with faded modern-day shots and is full of 80s references, from the Stranger Things-inspired title card and a David Hasselhoff cameo to Brad dressed as Marty McFly riding a dirt bike. Paisley also hits a seriously impressive note at the end of the song! From there it's into 'One Beer Can', an uptempo rocky track telling the story of a surprisingly sedate house party gone wrong. The song and video have a lot of Brad's trademark humour (with Paisley throwing the titular can that gets teenage Bobby into trouble) and the teen movie tropes are used very cleverly, putting a funny spin on what could have been a standard party song.

The album is split into 'chapters' which show different aspects of Brad's personality, from his more romantic side in the likes of the shopping mall-set 'Go To Bed Early' and 'Contact High', which finds him playing guitar in an indoor skydiving tunnel (as you do), to the slightly silly and throwaway fun of 'selfie#theinternetisforever' featuring what looks a lot like the C2C audience from Brad's performance in March. I also loved the references back to the previous videos, such as Bobby from 'One Beer Can' popping up in 'selfie#theinternetisforever' and Brad still sporting his 80s garb at the start of 'One Beer Can'. These little moments really helped to link the album together and make it feel a lot less disjointed compared to just listening to the audio version.

One of the talking points prior to the release of the album has been the collaborations, which by and large work well. 'Drive of Shame' with Mick Jagger, a 70s rock-influenced number that wouldn't sound out of place in a Rolling Stones set list, balances regretful lyrics with an uptempo melody. Brad also showed his serious side on the title track, a duet with John Fogerty with heavy rock guitars and a biting message about the damaging effects of war, and the heartbreakingly beautiful 'Dying To See Her' with Bill Anderson. Meanwhile, the two songs with Timbaland, 'Grey Goose Chase' and 'Solar Power Girl', embrace traditional instruments and a classic country combination of melancholy lyrics against uptempo melodies. I particularly loved the comic book-themed video for the latter track as it was a nice contrast to the earlier videos.

My personal standout moment of the album was 'Gold All Over The Ground', which takes it lyrics from a poem written by Johnny Cash about his wife June Carter, which Brad has set to music, and I have to admit that without knowing the backstory I never would have guessed that as they fit together really well. The gorgeous imagery of the writing fits perfectly with Brad's slow, simple guitar melody and the darkly lit tour he takes of Cash's cabin in the video; it's respectful but without be indulgent and a lovely homage to the Man in Black. I also loved 'Today', which pairs a simple uplifting piano melody with some incredibly moving footage of significant moments in ordinary people's lives; I defy you not to watch it and not have a tear in your eye at the end.

The album closes with 'The Devil is Alive and Well', an atmospheric video which finds Brad and band outside a burnt-out Nashville church. The slow, sad piano melody adds a feeling of despair and darkness in contrast to the uptempo feel of much of the album, and the lyrics echo the uncertainty of the turbulent times we live in and a yearning to go back to when things were much simpler. And yet, with final track 'Meaning Again' and the reprise of 'Heaven South' to bookend the whole thing, a mix of shots from the previous videos neatly tie the album together and serve as an uplifting reminder to stick with the values of home, family and love and come together to make change for the better. It's simple but highly effective.

Overall I really enjoyed Love and War. For me it sums up the different sides of Paisley's music very well and gives you a great oversight of who he is as an artist - no small feat on your tenth album. He's playing to his strengths as a guitarist and songwriter but also shows that he's willing to push himself and become a little more outspoken. Yes, there is a little unevenness, there are a couple of misfires and the uptempo tracks aren't quite as strong as the ballads ('Heaven South' excepted), but the videos do a great job of pulling everything together and capturing the moment whilst still being timeless. It's a seriously impressive piece of work and I'm intrigued to see how he follows it up.

Top tracks: 'Heaven South', 'Last Time For Everything', 'Today', 'Gold All Over The Ground'

The Love and War visual album is available via iTunes.